Doss, Erika. “War, Memory, and the Public Mediation of Affect: The National World War II Memorial and American Imperialism.” Memory Studies 1, no. 2 (2008): 227-50.
Doss asserts that war memorials are flourishing around the country, especially those dedicated to the memory of WWII. In this article, she examines why people feel such a need to say thank you to those who fought over sixty years ago. Doss claims that “memorials embody a ‘cultural turn’ toward public feeling, toward affective modes of knowledge and comprehension.” (229) People want to experience history.
Importantly, Doss compares Alison Landsberg’s notion of “prosthetic memory” to Joan Scott’s understanding of experience. Landsberg claims that new forms of public cultural memory and mass technology enable anyone to personally experience the past, no matter how remote or distant or traumatic. Whereas, Scott contends that “discourses of experience are both illuminating and highly problematic.” (229) The people who have an experience understand it as authentic. But we must realize that these people are subjects who are constituted through experience. Memorials help to fabricate public subjectivity. Memorials are, to paraphrase Ann Cvektovich, “a public ‘archive of feelings’ which is encoded in their material forms, narrative content and ‘practices that surround their production and reception.’” (229) Doss points out that these affective experiences do not foreclose possibilites of social or personal transformation, but we need to understand “how and why (and which) feelings shape historical moments, concepts of citizenship, and understandings of self and national identity.” She argues that we need to understand how they work to mobilize and maintain contemporary American war memory.
WWII was always celebrated as the Great War and memorialization began almost immediately. Doss details many projects over the years, but focuses primarily on the WWII memorial on the National Mall. She discusses the many contributors and the design, noting its imperialist qualities. Doss contends that “the National World War II Memorial is not simply to say ‘thank you’ to the ‘greatest generation’, but to dramatically reconfi gure contemporary understandings of national purpose and identity. Its privileged location in America’s capital city helps promote its cause.” (240) Surprisingly, Doss shows that not everyone supported the building of this memorial. Some veterans thought that it ruined the Mall. (242) Other veterans felt like they were trying to erase the “dangerous memory” of the Vietnam War.
Doss ends by stating, “Framed by saying ‘thank you’ to the ‘greatest generation’, the National World War II Memorial is a blatant example of the manipulative dimensions of war memory.”