Heap, Chad C. Slumming: Sexual and Racial Encounters in American Nightlife, 1885-1940. Chicago: University of Chicago Press, 2009.
Chad Heap, author of Slumming: Sexual and Racial Encounters in American Nightlife, 1885-1940, is an Associate Professor of American Studies at George Washington University. His academic work examines the relationship between sexuality and the city in the late nineteenth and early twentieth centuries. In Slumming, Heap explores how, during the late nineteenth and early twentieth centuries, affluent white Americans ventured into immigrant and mixed-race neighborhoods in order to ogle, lecture, and cavort with their social inferiors. This slumming not only created spaces that enabled middle-class whites to expand their own racial and sexual boundaries, it contributed to the emergence of a new social order where black/white and hetero/homosexual were being clearly defined. The act of slumming helped to reinforce notions of whiteness and social superiority, as did the post war exodus of whites from the inner cities to the suburbs.
Heap researched a wide range of documents, including local government records, sociological studies, novels, newspapers, and trade magazines. However, Heap claims that the most important evidence came from “the field reports of undercover investigators employed by private anti-vice organizations.” Several maps, illustrations, and photographs support the text.
Heap weaves together a variety of experiences into his definition of slumming. While many readers would readily recognize slumming as late-night dancing, drinking, and sexual exploration, Heap also includes missionary and reform activities into the mix. By adding the popular Protestant reform movements into his narrative, he shows how slumming provided middle-class white men and women with a useful way to define their own moral and social superiority. Heap shows how slumming enabled each dominant group to better define themselves: heterosexuals declared themselves against homosexuals, and whites defined themselves against blacks. In addition, even emerging populations, such as immigrant Italians and Jews, were able to use slumming to define themselves as white.
Heap’s argument differs from than Laura Wexler’s Tender Violence: Domestic Visions in an Age of U. S. Imperialism; however, both books offer a fresh perspective on how whiteness (and heteronormativity) is constructed and reinforced through images of the “other.” Both books also suggest that images of domesticity play a leading role in normalizing dominant group identity. Wexler’s analysis shows that domesticity was used as a trope in actual photographs to offer evidence of civilizing Black and Indian cultures, and to downplay the violence of imperialist military endeavors. For Heap, images of domesticity can be found in the geographical containment of whites in the suburbs. The inferior other remains in the chaos and poverty of the inner city.